HEY FOLKS! We’re hoping this is the LAST TIME we have to do this... but... this is kind of a critical time for us. Please consider donating a few bucks to help us close out our fund raiser and get back to doing what we do best... bringing you the best blues on planet earth. As always.... you have our eternal thanks! We couldn’t do ANY of this without you! --SBH FUND RAISER LINK: https://www.gofundme.com/a-fund-raiser-for-blues-unlimited-radio Ways you can help: Donate $50 and get personally thanked by Sleepy Boy Hawkins in an upcoming episode of Blues Unlimited! Donate $20 and get a pre-publication PDF copy of “Blues Unlimited: The Complete Radio Show Transcripts, Volume 2” (NOTE: You MUST use the contact form on our website at https://bluesunlimitedradio.com to let us know where to send your PDF!) Buy a copy of Volume 1 from the Amazon Kindle Store at https://tinyurl.com/yxz6dnnu or at Barnes & Noble at http://tinyurl.com/yxedzv5x - which will help support the costs for the eBook conversions of Volume 2 and Volume 3. Join as we get into our time machine, and journey back to Dallas, December 1927. That was when Columbia Records became the first major label to make extensive recordings there — on Washington Phillips, Blind Willie Johnson, Coley Jones, Lillian Glinn, and more. In addition, we'll hear from two primary movers and shakers of the Dallas music scene in the late 1920s, Blind Lemon Jefferson and Texas Alexander (a figure that is largely overlooked today). Closing off the program is a fascinating little footnote from the Rev. William McKinley Dawkins. Included for the sake of "historical accuracy," his performance dates to the fall of 1925, when the OKeh label became the first record company to send a field recording unit to Dallas. As far as we know, he was the only blues or gospel artist recorded during that 1925 trip. Why OKeh didn't record anything further is a puzzle that remains a mystery to this day. It would be another two years before another field recording unit came to town, which would be Columbia, in December 1927. For the last word, it is given to Blind Willie Johnson's timeless, ethereal masterpiece, "Dark Was The Night - Cold Was The Ground." It was, quite famously, chosen for inclusion on NASA's "Sounds of Earth" golden record that accompanied Voyagers 1 and 2, into outer space. We've been told, by someone of good authority, that when it came time for the committee to select pieces of music for the Voyager project -- that there were no arguments and no discussion when it came to "Dark Was The Night - Cold Was The Ground." The vote was unanimous by the committee. Join us, then, as we explore some amazing blues and gospel from Dallas — including everything from the fiery and low down to the celestial and the heavenly — on this episode of Blues Unlimited. AND.... ONE MORE WAY YOU CAN HELP -- BECOME A BANDCAMP SUBSCRIBER! This episode is available commercial free and in its original full-fidelity high quality audio exclusively to our subscribers at Bandcamp. Your annual subscription of $27 a year will go directly to support this radio show, and you’ll gain INSTANT DOWNLOAD ACCESS to this and more than 150 other episodes from our extensive archive as well. More info is at http://bluesunlimited.bandcamp.com/subscribe
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